Showing posts with label Factual. Show all posts
Showing posts with label Factual. Show all posts

Tuesday, 10 June 2014

Multi Camera Set-Up

Multi camera set-ups are very important and useful, especially in news broadcast which is live the majority of the time.

Benefits:
  • As it is live you need to act quick upon a mistake. If a mistake or problem occurs (for example a camera battery running out or the camera focussing on the wrong area) the person on the vision mixer can switch to another camera.
  • It is quicker to edit with regards to continuity. Everything is captured at once so rather than stopping and filming from a different angle, the continuity will match with the camera from the other angle.
  • Scenes can be shot quicker as there is no need to change the light or microphones. This is particularly useful for soaps and series such as Coronation Street or Benidorm.
  • Different tones can be conveyed. For example, in Big Brother, you might want to change from a close up to a wide shot to get someone else's reaction in. For the news, you might want to change from a straight on shot to a side angle to get some graphics in.
  • Engaging. Different angles would engage the audience, especially in shows such as Strictly Come Dancing and Britain's got Talent. This means you can see things from high up, close up and also the judges reaction.
  • You can see more. In football matches you would want to see different players and also a birds-eye view of where the players are.

Disadvantages:
  • You can't be as flexible. If you have several cameras focussing on one source the cameras might be looking at a wider background so you would need to keep that background clear of camera cables, lights e.t.c.
  • Cost. The cost of purchasing more cameras and having more crew is more expensive than using one person to control one camera.
  • Confusion. With a variety of different cameras and screens, it could be confusing for the vision mixer to decide which screen should be broadcast.
  • Long set up. For a programme such as the news which is done daily, a multi camera set-up can take a long time to prepare. As news shows are pretty much always based in the same studio, this can actually be reduced.
It depends on what you are filming as to which set-up is best however I would say that a multi camera set-up is the best as you can get a scene filmed once from the different angles rather than several times and by moving the camera. For live shows and the news, this is also easier to cover up mistakes and to act as a backup. This I why I decided to use a multi-camera set up for my news programme. We could switch to another camera if a mistake occurred and it prevented us from moving the camera for when our host changed position.

Example:
Below are some screenshots from Britain's got Talent, a show which uses a multi camera set-up. The screenshots show the different camera angles. As BGT is an entertainment show, the different shot types help to keep the audience engaged.

This shot is used to show how scary it might be for the performer and it's reminding us that he is performing in front of the judges

This is a wide shot to show the performer

A medium shot showing us him doing hand expressions

A MCU of the hosts' reaction

A MCU of one of the judge's reaction

MCU.  - This is the common shot of who is performing along with the wide-angle shot

Wide shot showing the audience

CU of him talking to the camera

A wide show of the judges
Example of a TV Series
I chose Benidorm as the TV series, one that is shot in sunny Benidorm (as the name suggests….) A lot of shots are done in the sun so continuity is important. Benidorm is shot on multi camera however there is not as many as BGT. Shots like these are easier to do without getting cameras in the way.

A wide shot

A close up

Another close up
Filming would be in a set-up like this however with 3 cameras rather than 4


Primary and Secondary Research - Re-Submission

Primary research is research gathered directly from the person conducting the research. This would involve the researcher going out and directly obtaining the information. Primary research could be gathered by interviews, observation, surveys, trials and more. Primary research is a good type of research as you are directly getting the information so you know it's reliable. You can also get more of a sense of what you are researching. If you are speaking to an eye-witness of an event, you might be able to prompt them to remember certain details. A down side of this is that you can source the information is less ways. Rather than go online and see possibly hundreds of articles, you will need to go out and find it yourself. This could be inconvenient and it could cost you money.

To see an example of myself conducting primary research, see this link where I asked a rail commuter what they thought of price increases http://50173581.blogspot.co.uk/2014/02/rail-fare-vt-updated.html

Secondary research is researched that has been collected by someone other than yourself. This would involve the researcher looking at existing data and sources including magazine and newspaper articles, online articles, letters, statements and more. Secondary research can be hugely beneficial as you can get a variety of information that you might not be able to get. For example CCTV footage. If you are researching on a past event then you would need secondary data for CCTV as you cannot fake it yourself. The cost is also lower. Getting a book out of the library or looking online won't cost you anything whereas travelling to see someone will. Despite this, you can't always say how accurate or reliable the research is. It might be from a source that doesn't seem that reliable or it might not be entirely accurate.

More on research - http://50173581.blogspot.co.uk/2014/01/research.html


I have conducted research for several college assignments such as in my single camera drama, when I conducted secondary research to find out about hostage situations. In my news show assignment I conducted primary research by interviewing a man on the sea defences on Canvey Island. I found both of these methods useful as I liked the variety and both ways were more convenient. It would be harder to interview someone on a hostage situation and it might take time getting the procedure from the police.

Friday, 2 May 2014

My Role Week 4 - 28.04.14 - SNN

Group: Becky, Rislene, Sana
Role: Sound

For Becky' group, I had the role of sound technician which I was doing with Nathan. Before we started setting up and doing the rehearsals, I spoke to both Nathan and Sana to talk about the set-up. Nathan had done sound before so he knew what to do and it was Sana's show so I could consult her on what was happening. We decided to use the boom microphones as they were more reliable, rather than risk the clip on mic's. We had a few issues with a buzzing noise however this was quickly sorted out by plugging the XLR cable into a new slot. We did a sound check and adjusted the volume levels and also changed the positioning of the microphones.

During the recordings, I was in charge of the sound levels. I had to turn the off when there was a VT and fade them out at the end. The first recording was stopped half way through however we started a new one in which I resumed this role.

Overall I think that I've performed my roles well. I enjoyed being both in front and behind the camera as I could use different skills and see the production in a different way. 

Sunday, 13 April 2014

My Role Week 3 - 31.03.14 The Cloud News

Group: Briana, Nathan, Emily, Alice
Role: Host

For Briana's group, my role was the host. I dressed accordingly and wore a suit and shirt. A blazer wasn't required as I was going for more of the Channel 4 look, with sleeves rolled up. I was presented with the script a few weeks prior however on the day a couple of stories were added including one that I couldn't know until we started recording. To prepare for this, I checked the script before hand and practised saying the lines on an autocue. I also liaised with the main group members.

When we entered the TV studio, I helped the others to set up as well as sitting in the desk so that the camera's can be adjusted (height of the camera, focus, lighting e.t.c) As I was host, there wasn't a lot I could do until rehearsals but I read through the script and made some spelling/grammar changed which were to be tweaked for the autocue. I had my microphone on which was changed after the sound check as it wasn't working well. We had three rehearsals with the last one going better. I thought the whole show went well however the speed of the auto cue at times was off putting. When I had the breaking news for the main story I had to look around in shock. The auto cue went on a bit long whilst it said "host looks around....." and as it was live I couldn't tell them to go faster.

I felt comfortable during the rehearsals and main recording. The main recording went well and I was happy with the final result (although I haven't seen the recorded version).

Thursday, 27 March 2014

Scrapbook - Task 1 Essay Submission

The link to my essay is below.

https://drive.google.com/file/d/0B0Mi2vFkLL0pc1NDM2pLOGpVazg/edit?usp=sharing

Tuesday, 25 March 2014

Bowling of Columbine - Documentary Conventions

Documentary Conventions:
  • Timelapses
  • Old/Archive clips
  • Films to inform
  • Voiceover
  • Michael Moore
  • Interviews
  • Witness Accounts
  • Music
  • Montage - pace
  • "It's a wonderful world" - used ironically
  • Irony
  • Foreshadowing
  • Sarcasm
  • Black Humour
  • Facts, opinions, bias, propaganda
  • Evidence - Truth - In the Moment
  • Statistics
Issues:
  1. Gun Availability & Views on Gun Ownership
  2. Fear/Safety
  3. Inequality between rich and poor (benefits)
  4. Killing of Columbine Students
  5. American Society/Socialisation
  6. Importance of Media
  7. Taking Law into Own Hands
Killing of Students in School


My Role & Group Performance Week 2 - 24.03.14 South Essex News


Group: Me, Sam, Tom & James
Role: Camera Man/Producer

Today it was the production for my group, South Essex News (SEN). I was a producer and also camera man. We have three full rehearsals and 4 weather rehearsals. As part of my role of producer, I had to make sure that everyone was organised. I started by printing off the scripts and also the check-list for Paul. James collected these sheets as he didn't have a job to do at the time (he was host). Once they were handed out, I printed out some more scripts with the breaking news section on it. James hadn't see this and wasn't allowed until he was saying it live. I had to prepare the breaking news article the night before; I also sent Sana the weather bluescreen background and script the previous night as she would need to know where to move her hands in sync with the background.

Breaking News:
We are currently receiving some breaking news about a gas leak in Southchurch. Fire-fighters are at the scene currently and have evacuated seven people and have stopped access to Ely Road. It's reported that a gas main has been damaged in someone's garden, with reports suggesting that a resident accidently damaged it. We will keep you up to date about further developments on that.

I thought the rehearsals went well considering they were only rehearsals and they were the first full ones for a month or so. We made the decision to only use the background with 'SEN' on as this was easier for Sam on the vision mixer and it still looked effective. During rehearsals I only made one mistake, this was putting the camera back down after the weather (as Sana was standing up and James was sitting at a desk) however I moved it back as soon as I saw it was wrong. Once we had the full rehearsals we changed a bit of the TV display. We also did about 4 weather rehearsals afterwards as the auto cue wasn't in time with the background video which meant Sana wasn't in time. We tried this differently with me giving Sana a countdown, telling her when to hurry up or slow down e.t.c We were running out of time so we had to go into the main show.

The main show went very well. James said the lines properly including the breaking news which he hadn't seen. Sana also spoke in time with the bluecreen background and Sam paused it on the vision mixer. As camera man, I adjusted the camera, followed the script with what the host was saying, I told the runners when to move the table and Dan when to change to 'Breaking News', I communicated with Nathan and Sam using the headsets and was able to give James and Sana a countdown and tell them how long they had left before the VT ended and also when to speak. This went well and was in time.

Everyone in the group performed well however Charlie wasn't in for the show and Alice was only in for the first half. We looked at the contingency plan and Becky (who was originally a runner), took over Charlie's job which she did really well and Nathan controlled the sound.

Wednesday, 19 March 2014

My Role Performance Week 1 - 17.03.14 EMC News

Group: Charlie, Harrison, Dan and David
Role: Host

This was the first live show recording that we had done and the first show/rehearsal with the auto cue's up and running. I wore my 'outfit' which was a suit as I was the host and had to look smart. I was presented with the script on Monday morning (although I had seen it before) so I was able to read this throughout the day.

When we entered the TV studio, I helped the others to set up. As I was host, there wasn't a lot I could do until rehearsals so I helped moved the chairs, put the cushions on the sofa and spoke to people about whether or not they needed help. I had my microphone on which was changed after the sound check as it wasn't working well. We had three rehearsals with the last one going better. The first one wasn't really a rehearsal, Harrison checked how to work the auto cue and tested the pace that me and Sana had to read at. This went a bit wrong in the second rehearsal, which was the first 'main' one. The auto cue paused at times and went too fast at other times. Me and Sana had to improvise. We thought this was important as we would have to just carry on during the main recording. We also got a taste of the timings and layout. We knew roughly how long to talk for and what to do and when. I thought the group was very organised and subsequently went very well.

I felt comfortable during the rehearsals and main recording. I was a bit wary before we started as this was going to be the first main recording and the cameras were all on me! I got feedback after the rehearsals which were mainly good apart from a couple of improvements. The main recording went very well and I was happy with the final result (although I haven't seen the recorded version).

Sunday, 9 March 2014

Practising for my Roles

My roles:
(1)My Group - Producer/Cameraman
(2)Charlie's Group - Co-Host
(3)Briana's Group - Host
(4)Becky's Group - Sound

I am happy with the roles that I am doing as they are quite different. I am happy to be host and co-host however it could be challenging if the auto-cues were to not work as I would have to improvise live and it's myself in front of the camera, not the behind the scenes people.

Preparation:

  1. To practise for this I have checked the script for where the host is situated so I know when my camera is live. In rehearsals I have also liaised with the vision mixer to give a count down to when the host is going live. In rehearsals and the main recording, I will have a copy of the script and running order so that I know who is going to be where and when.
  2. To practise for this, I have read the script of what I've got to do and I've also spoken with Sana (who I'm co-hosting with) so that we are comfortable with each other and so that we know what to do. I have also practised reading off a Teleprompter. I have also liaised with Charlie about getting changed.
  3. For Briana's group, I have made myself familiar with the script as well as tweaking it with her. I have read the script fully several times on a Teleprompter so that I am familiar with it. I'm about unsure about the piece on Southend airport as it's quite long.
  4. I have practised with Nathan the setting up of the clip on microphones as well as the boom microphone. This worked well however sometimes the batteries weren't available for the clip on mic's.

Wednesday, 12 February 2014

Factual Programming Assignment: TASK 2 & TASK 3 Final Hand In - Joe Mander, Thomas Davis, Sam Murray & James Clarke

Tom Davis - www.50173502tomdavistvandfilm.blogspot.co.uk
Sam Murray - www.50172769sammurraytvandfilm.blogspot.co.uk
James Clarke - www.50172486.blogspot.co.uk

Task 2: Plan your live show.
Here is the link for the Live Show Pre- Production document:
https://drive.google.com/file/d/0B3XNExw_p_qUY19ZbndGX05rckU/edit?usp=sharing
(Call sheet in the document completed by myself)

Here is the link for the Legal Application forms, filled out by actors & location owner(s)
https://drive.google.com/file/d/0B3XNExw_p_qUVlFoMUM4VXFpR2M/edit?usp=sharing

Task 3: VT inserts
The Pre- Production for the VT Inserts is inside of the Live Show Pre-Production document:
https://drive.google.com/file/d/0B3XNExw_p_qUY19ZbndGX05rckU/edit?usp=sharing

As a group we produced 5 VT inserts. The videos are embedded below:

Southbank VT:
Written by: Thomas Davis
Camera: Thomas Davis
Editing: Thomas Davis
Reporter: Sam Murray



Basildon VT:
Written by: Sam Murray & James Clarke
Camera: Thomas Davis
Editing: Thomas Davis
Reporter: Sam Murray



Southend Airport VT:
Written by: Joe Mander 
Camera: Thomas Davis & Joe Mander
Editing: Thomas Davis
Reporter: Sam Murray



Canvey Seawall VT:
Written by: James Clarke
Camera: Joe Mander 
Editing: Joe Mander
Reporter: James Clarke


Train Fare VT:
Written by: Joe Mander
Editing: Joe Mander & James Clarke
Camera: James Clarke & Joe Mander
Reporter: Joe Mander

Sunday, 9 February 2014

Rail Fare VT Updated

In the group it was my task to do the VT on the rail fare increase. I worked with James to film and edit this VT and also the Canvey sea wall one.


- Script

- Brainstorm

- Risk Assessment

- Release Form

Proposal:
My VT will be on rail fare prices. Commuting by rail is a subject that affects thousands of people, so it is guaranteed to be of interest. It will feature clips of trains, information regarding the fares, statistics and public opinions. Fares have gone up 2.8% and the public would like to know why and where the money will be going. The closest rail line is C2C so we will have no trouble finding a location to film at. Even if we cannot film in the station, we can still film outside the building. The cost to produce the VT would be minimal. The reporter will talk over various shots of rail related clips and will explain about the rise in fares. After giving statistics, he will then get the opinions of the public (vox-pox) and summarise before ending.

Release Form:
The release form was completed by myself. For the vox-pops, I asked the members of public before I started shooting. This was easier than getting them to sign forms. A lot of people were in a rush so it was easier for them too.

Research:
When researching for information, I wanted to get secondary and primary information. I know then that I have reliably from people who travel first hand and also a view on the wider picture from the press. I chose to source from the local press and also the BBC.

Source 1 - The Echo (Secondary Research)
Passengers will pay higher rail fares from tomorrow, with annual season tickets rising by an average of 3.1%.The increase pushes some commuters into the £5,000-a-year "club", with annual season tickets to London from Deal and Dover Priory costing £5,012.The rise also means some annual season tickets will break the £4,000 mark, with a Basingstoke-London annual fare now rising to £4,076.
The 3.1% rise is for regulated fares which include season tickets. The rise on unregulated fares, typically off-peak leisure tickets, is not capped. But a number of these fares, including some on the East Coast route, are going up by much less than 3.1%, with the overall rise in tickets - regulated and unregulated - being 2.8%. The increase could have been even greater, but Chancellor George Osborne announced in his Autumn Statement in early December that the regulated fare price cap of RPI inflation plus 1% was being changed to RPI plus 0%.
Campaign groups have complained about the annual increase, with the Campaign for Better Transport saying that fares are rising three times faster than wages. Rail unions have also been quick to point out the high cost of rail travel in the UK compared with the rest of Europe. Jason Torrance, policy director of sustainable transport organisation Sustrans, said: "The Chancellor's move to bring an end to the inflation-busting fare rises we've seen over the last decade shows a recognition that rising transport costs are a barrier to economic recovery.
Source 2 - BBC News (Secondary Research)
Thursday, pushing the cost of some commuter travel to more than £5,000 a year. The increase is the smallest rise in four years, according to the pan-industry Rail Delivery Group. Chancellor George Osborne said in last month's Autumn Statement he would keep fares in line with July's Retail Price Index (RPI) inflation rate of 3.1%. But campaigners say that fares are rising three times faster than incomes.

Some regulated tickets, including season tickets, anytime and off-peak tickets, have risen on average by 3.1%. The increase pushes the cost of some annual season tickets to more than £5,000 a year. Transport Minister Stephen Hammond told the BBC: "Fares are rising but at the lowest they've ever done in the last decade and that's because this government recognises the concerns that people have about rail fares.


"Also this government is investing £16bn in the maintenance and upgrade of our railways over the next five years to ensure that there will be benefits for passengers like extra capacity." Shadow transport secretary Mary Creagh said: "David Cameron's cost-of-living crisis continues as fares rise this week by up to 5%, while season tickets have gone up by 20% under this government, costing hard-working commuters hundreds of pounds."

Source 3 - Laura Bartlett (Primary Research)
My annual train fare from Benfleet to Fenchurch Street is now £3128 per year. Trains are often very crowded and I rarely get to sit down on the first or second train that arrives. I think they should sort out existing problems with the increase in money that they will be getting. For many people getting the train is the only way to work for them so using a different type of transport is not an option.

Thursday, 6 February 2014

Opening Titles

The opening titles were filmed by our group, Tom, James, Sam and myself. We decided on the theme music ourself which Tom recorded. I edited the titles and added in the music.


Recording the video clips was relatively easy. We used a slider for some shots and the rest were handheld. The mix of both techniques worked really well in the final version which looks professional. We filmed in the TV studio and made it look like it was a pause during the live show - people would be performing their roles and would stop and smile for the camera. We shot from different angles and filmed more clips than we needed. We did the slider shot of focussing on the camera then the anchor several times and we wanted to get the slider speed just right. The clips that we didn't use weren't main ones apart from the weather presenter. We tried to get a shot of quickly zooming in and out however this appeared more amateurish rather than creative so it wasn't used in the intro.

We applied colour correction to the clips of us walking in. This was done staggered, you would see us walking, see some general clips then it would resume us walking. The colour correction was a blue tint to make it fit in more with the logo colours.


There was a problem that arose with the audio. The clips combined together were too long with the audio, even with the clips trimmed. To get around this, we cut the audio at one point and trimmed it. We then looped it so it carries on for longer then fades out.



Link to Opening Titles

Release forms were created by us and were signed by the people who appeared in the video.


Live Show Risk Assessment

RISK ASSESSMENT FORM - LIVE SHOW

P = Present / S = Severity / L = Likelihood / R = Risk Factor



Hazard
P

S
L
R
1
Alcohol/drugs
NO



2
Animals/insects
NO



3
Audiences
NO


4
Camera cable/grip equipment
YESM
U2
5
Confined spaces
NO


6
Derelict buildings/dangerous structures
NO


7
Electricity/gas (other than normal supplies)
NO


8
Fatigue/long hours
NO


9
Fire/flammable materials
YESLVU1
10
Hazardous substances
NO


11
Heat/Cold/extreme weather
YES
M
L3
12
Laser/strobe effects
NO


13
Machinery/industrial/ crane/hoist
NO


14
Materials - glass, non-fire retardant set materials
NO


15
Night operation
NO


16
Noise – high sound levels
NO


17
Non standard manual handling
NO


18
Public/crowds
NO


19
Radiation
NO


20
Scaffold/Rostra
YESN
VU1
21
Smoking on set
NO


22
Special effects/explosives
NO



23
Special needs (elderly, disabled, inexperienced)
NO


24
Specialised rescue/first aid
NO


25
Stunts, dangerous activities
NO


26
Tall scenery/suspended ceilings
YESNVU1
27
Vehicles/speed
NO


28
Water/proximity to water
NO


29
Weapons
NO


30
Working at heights
NO


31
Working overseas
NO


32
Other risks
NO



Hazard Number:
4
Description of Hazard:

Tripping on cables
Person(s) exposed (detail if cast/crew (C), outside company (O) or public (P) )
Cast
Crew
Action to take:


Tape down all wires
Person/company responsible for action

David Semple/Harrison Atkins-Swallow
Hazard Number:
9
Description
Lights causing a fire
Person(s) exposed (detail if cast/crew (C), outside company (O) or public (P) )
Cast
Crew
Action to take:

Turn off lights when not in use, don’t put highly flammable materials near light
Person/company responsible for action
Harrison Atkins-Swallow
Hazard Number:
11
Description of Hazard:

Getting too hot due to lighting rigs
Person(s) exposed (detail if cast/crew (C), outside company (O) or public (P) )
Cast
Crew
Action to take:


Make sure lights are not too bright and cast are not under lights for too long
Person/company responsible for action

Harrison Atkins-Swallow
Hazard Number:
20
Description
Lights on scaffolding
Person(s) exposed (detail if cast/crew (C), outside company (O) or public (P) )
Cast
Crew
Action to take:

Take caution when walking
Person/company responsible for action
Harrison Atkins-Swallow
Hazard Number:
26
Description
Blue-screen and curtains on rail around the set
Person(s) exposed (detail if cast/crew (C), outside company (O) or public (P) )
Cast
Crew
Action to take:

Take caution when moving the curtains
Person/company responsible for action
Harrison Atkins-Swallow

To be completed at agreed later date -





Exposed person(s) informed? (y/n)
Y
Agreed action taken? (y/n)
Y
Risk removed? (y/n)
Y
Completed by James and Sam, added to by myself.